EHRET, After George Dionysius (1710-1770)

Tree Celadine

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Cereus cactus

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Ananas [Pineapple]

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Cereus, cactus

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Cereus cactus

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Ginseng

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Lilio-Narcissus

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Magnolia

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Magnolia Grandiflora

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Musa banana

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Musa Banana

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Musa Banana

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Musa Banana

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Pancratium

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Pancratium

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Papaya

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Plumeria, Frangipani

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Prairie Wattle

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Ananas [Red Pineapple]

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Eastern Shooting Star

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Sweet-flowering bay

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Tiger Lily

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.

EHRET, After George Dionysius (1710-1770)

Tulip tree

Nuremberg, 1750-1773. 

Specifications: Date: 1750-1773. Size: ~13 5/8 x 20 inches. Style: Hand coloured copperplate engraving. Condition: Excellent

A very fine image from Trew's 'Plantae Selectae', one of the greatest of all eighteenth-century botanical books, drawn by the greatest of eighteenth-century botanical artists, George Dionysius Ehret. Linnaeus, wrote to Trew, in Latin, that "The miracles of our century in the natural sciences are your work of Ehret's plants...nothing to equal them was seen in the past or will be in the future".

Christoph Trew, a physician and botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was unrivalled in his ability to "achieve realism, majesty, ineffable colour, all in one breathtaking look." (Hunt). Born in Heidelberg in 1710, he originally worked as a gardener and practised drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl, and it was during this period that Trew met Ehret.

Trew was to remain a friend and patron of Ehret's throughout his life, and by 1742, the germ of what was to become the present publication was already under discussion when Trew wrote to Christian Thran in Carlsruhe "Every year I receive some beautifully painted exotic plants [by Ehret] and have already more than one hundred of them...."

Ehret moved to London in the late 1730s, where he painted the recently introduced exotics at the Chelsea Physic Garden and established himself as a teacher of flower-painting and botany. Discussions about the projected work continued by letter until 1748, when Johann Jacob Haid from Augsburg agreed to produce the engravings from Ehret's drawings.

Gerta Calman Georg Ehret, Flower painter Extraordinary (1977) p.97; Dunthorne 309; Great Flower Books (1990) p.144; Hunt 539; Nissen BBI 1997; Pritzel 9499; Stafleu & Cowan TL2 15.131.